Prana

Lleida, November 2020. The award-winning Catalan visual artist Lídia Vives, presented her new series "Psyché", which is, so far, the most ambitious project of her career, and in which she addresses one of the themes that for years we have raised: what is the soul? Where is it located? And how can it be represented?

The photographer, together with the Spanish Gallery Fifty Dots, and her father, painter Arturo Vives, combines techniques in which the photographic elements represent the soma (body) and the writings or drawings, symbolize the psyche (soul) to approach the different theories about the “communication of substances” or how something immaterial like the soul can interact with something material, like the body.In this way, human silhouettes appear in black, almost imperceptible, like X-rays, while texts, drawings, cartesian passages, chemical formulas and musical notations appear in golden pigment, in accordance with the Byzantine tradition to represent what is transcendent.

In addition, in its physical versions, they will be unique editions, resembling jewels, since each of the prints will be hand-operated with golden ink, as tradition dictates.

"Psyché" is inspired by various cultural references that relate this duality to chemical formulas associated with behavior and spirit; Plato's Phaedo; the Quaestiones Disputatae of Santo Tomás de Aquino; and Descartes's theory of the meeting of body and soul in the pineal gland.

Thus, this series is a pictorial reflection of the theories and attempts to reach an agreement on the location, definition and even conceptualization of the soul, inside and outside the body, on which the Catalan Lídia Vives was inspired by.

· XII Certamen Internacional de Fotografía Fundación ASISA, Finalist

Unique artwork for collectors and galleries.

Produced on baryta quality paper, all limited edition prints are signed and numbered by hand by the artist.

Each piece of artwork is accompanied by a Certificate of Authenticity.

Dimensions represent full paper size, including borders (2cm).

Prints are shipped unframed.

The artist reserves the right to produce up to two Artist Proofs for each artwork in addition to the edition sizes listed.

Tax is included in product prices.

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It is important to avoid direct contact with sunlight. If you want to save the artwork, instead of having it exposed, it should be done in a drawer and protected with a tissue paper or any other soft paper.

If you exhibit the artwork in a room, it must be protected by glass or methacrylate with UV protection.

If you want to frame it, the materials must be acid free as well as the passepartout. If the frame is made of wood and is in direct contact with the photo, it must be made of natural wood and without varnish.

Adhesives must also be acid free. If not, any other adhesive could leave yellow marks and deteriorate the support.

The work should never be touched directly with the hands in order to avoid leaving traces of grease or moisture. You have to touch it with cotton gloves like the ones that we enclose inside the package.

Do not screw the photograph back on after it has been removed from the tube in case you have received it like that.

Store the work in a cool, dry place preferably at a room temperature between 10º and 30º with a relative humidity between 49% and 60%.

If you have acquired more than one photograph, they should never be touched between them since the surface is very sensitive. You should always put a tissue paper or, at least, another soft paper between the both of them.

A pair of white cotton gloves and a personalized postcard.

The artwork is shipped flat or rolled in a tube depending on the size, well protected with bubble wrap.